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[personal profile] mtbc
A few weeks ago, I mentioned how this year's Eurovision Song Contest followed the usual pattern of my concurring with the public televote rather than the verdict of the panels of industry professionals. Yesterday I reflected on how last year's contest was an exception to the pattern.

The United Kingdom's song scored unusually well last year yet I thought it one of our more mediocre entries. France's and Germany's scored the worst, yet I thought both to be quite decent songs. Perhaps neither song was positively a gem but nor did they seem superlatively bad* against the other finalists.

*superlatively bad tempts me to imagine words like sublative

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Mark T. B. Carroll

January 2026

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